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In the first part of the article, I demonstrate that private libraries of scholars in the humanities (including literary scholars) have still not become legitimate objects of study and explain the reasons behind it. (...)
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The paper is about the theoretical and practical proposals of genetic criticism and its complicated relations with scholarly editing. The author discusses the benefits from applying that method of reading manuscripts, the related difficulties and possibilities of using its effects in digital editing. (...)
We publish Polish translation of the fragment of Daniel Ferrer’s „Mondes possibles, mondes fictionnels, mondes construits et processus de genèse”, Genesis Manuscrits – Recherche – Invention 2010 (3), pp. (...)
A b s t r a c t
The article discusses autothematic description as a technique of metapoetic reflection. On the one hand, it is analyzed in the context of the structuralist theory of description and on the other hand, in the context of poetry by women, where meta-reflection is an important but underresearched phenomenon.
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This article attempts to answer the following question: is there a connection between description and illustration in a literary text?
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The compositional category of description and more broadly understood descriptiveness in drama has always been marginalized in the theatrical-literary discourse.
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The development of digital role-playing games brings with it not only qualitative transformations, but also a change in the choice of topics.
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Referring to the theories of Hans Ulrich Gumbrecht, Bruno Latour and Nurit Bird-David, the author attempts to prove that Piotr Szewc’s poetry is accompanied by a concept that questions the logic of the modern world based on technical progress and an isolated, egocentric subject.
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The article defines the importance of late nineteenth-century research and psychological reflections for the construction of descriptions in Boleslaw Prus’ The Doll.
