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The first part of the paper offers a theoretical consideration of the Anthropocene as an epoch in which human and geological times have radically mixed. (...)
![“Not enough for a trace”. On Spis z natury [Register from nature] and other early poems by Krystyna Miłobędzka](http://fp.amu.edu.pl/wp-content/uploads/2021/11/PBogalecki_NotEnoughForTheTrace_ForumOfPoetics_24_2021-01-122x173.jpg)
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The paper is an attempt at reconstructing the poetics of early texts by Krystyna Miłobędzka, mostly the book of poems Spis z natury, written in 1960s – Miłobędzka’s poetic debut, unpublished at the time. (...)
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The article discusses and deconstructs the nature-culture dichotomy, examining how the image of nature in Romanticism was filtered through cultural matrices, especially in connection with the development of natural sciences, and the concept of cognition, which was most often perceived as based on the senses. (...)
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The analysis of a number of late 20th-century nature poems allows the author to redefine the traditional concepts of transcendence and immanence in the context of post-secular studies and the broadly defined new materialism. (...)
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The article analyzes post-structural theoretical perspectives in analogies to the construction of films. According to Gilles Deleuze, supported by an interpretation of the works by Lewis Carroll, a functional lack is a key element of every system, as it activates and dynamizes that system, motivating the recipients to undertake cognitive activity. (...)
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The paper attempts at collecting and interpreting a dozen or so film poems, by authors such as S. Grochowiak, K. Rodowska, A. Kuśniewicz, B. (...)
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The article tells the story of the early relations between avant-garde silent film and poetry, with a particular focus on critical texts and artistic manifestos from French Impressionist cinema. (...)
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The present paper stems from an awareness of clear correspondences, relations, and parallels between literature and film. The theoretical findings and exemplifications presented in it allow one to precisely identify the so-called points of contact between film and literature, as well as the character of these interactions. (...)
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The paper presents the role of film in the poetry of Generation ’68 – mostly by Stanisław Barańczak, but also Julian Kornhauser, Ewa Lipska, and Adam Zagajewski. (...)
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The paper discusses the category of spatial situation – a specific experience of the human subject based on the concept of attentiveness, which is located in a specific geographic location, shares that location with a place accumulating heterochrony and is subject to the agency of matter. (...)