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The free verse is taken here to be a graphic text, i.e. a technique operating the layout of signs on a page. The problem of translating thus understood versification into foreign languages is considered here on the basis of Reverdy’s and Pound’s poems. (...)
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This essay discusses different definitions of rhythm. The author thoroughly reviews the different definitions and approaches to rhythm in Polish and foreign-language (especially French and English) theoretical texts. (...)
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The first part of the paper offers a theoretical consideration of the Anthropocene as an epoch in which human and geological times have radically mixed. (...)
![“Not enough for a trace”. On Spis z natury [Register from nature] and other early poems by Krystyna Miłobędzka](http://fp.amu.edu.pl/wp-content/uploads/2021/11/PBogalecki_NotEnoughForTheTrace_ForumOfPoetics_24_2021-01-122x173.jpg)
A b s t r a k t
The paper is an attempt at reconstructing the poetics of early texts by Krystyna Miłobędzka, mostly the book of poems Spis z natury, written in 1960s – Miłobędzka’s poetic debut, unpublished at the time. (...)
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The article discusses and deconstructs the nature-culture dichotomy, examining how the image of nature in Romanticism was filtered through cultural matrices, especially in connection with the development of natural sciences, and the concept of cognition, which was most often perceived as based on the senses. (...)
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The analysis of a number of late 20th-century nature poems allows the author to redefine the traditional concepts of transcendence and immanence in the context of post-secular studies and the broadly defined new materialism. (...)
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The article analyzes post-structural theoretical perspectives in analogies to the construction of films. According to Gilles Deleuze, supported by an interpretation of the works by Lewis Carroll, a functional lack is a key element of every system, as it activates and dynamizes that system, motivating the recipients to undertake cognitive activity. (...)
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The paper attempts at collecting and interpreting a dozen or so film poems, by authors such as S. Grochowiak, K. Rodowska, A. Kuśniewicz, B. (...)
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The present paper stems from an awareness of clear correspondences, relations, and parallels between literature and film. The theoretical findings and exemplifications presented in it allow one to precisely identify the so-called points of contact between film and literature, as well as the character of these interactions. (...)
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The article tells the story of the early relations between avant-garde silent film and poetry, with a particular focus on critical texts and artistic manifestos from French Impressionist cinema. (...)