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History has always been and will always be present in the Polish reportage, as showcased by such names as Ksawery Pruszyński and Melchior Wańkowicz, who wrote about recent history being aware that they lived in historically significant times. (...)
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The interpretation of the poem [I cannot be merely a human] from the collection Oda do dłoni [Ode to hands] allows the author to reflect on Halina Poświatowska’s poetry. (...)
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This study examines the confluence of psychoanalysis and ecocriticism in American nonfiction, particularly analyzing the ecological autobiography “Upstream: Selected Essays (2016)” from the Freudian eco-psychoanalytic perspective. (...)
![Econarratology and the problem of metalepsis and description in Wiktor Żwikiewicz’s Druga Jesień [A Second Autumn]](http://fp.amu.edu.pl/wp-content/uploads/2025/02/MMazur_EconarratologyAndTheProblem-ofMetalepsis_ForumOfPoetics_38_2024-01-122x173.jpg)
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This article presents an econarratological analysis of metalepsis and descriptive techniques in Druga Jesień [A Second Autumn], a somewhat forgotten experimental novel by Wiktor Żwikiewicz, which I retroactively classify as an example of weird fiction in Polish literature. (...)
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The paper contributes to the critical discussion about the problem of interpreting literature, studying the traditions used in the process. (...)
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This article offers a comparative analysis of various accounts/models of literary autonomy in the Polish literary criticism of recent decades. (...)
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The article examines changes in the way feminist literary criticism has been practiced in Poland since 2005 in the context of identity politics, location politics, the female tradition, and the female reading community. (...)
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The paper discusses the possible applications of virtual reality in literature. The first part characterizes possible “love affairs” between VR and literature, as well as some critical considerations regarding “VR literature”. (...)
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The essay discusses the Polish version of A Nest of Ninnies (1969) by John Ashbery and James Schuyler, translated by Tadeusz Pióro and Andrzej Sosnowski, with Marjorie Perloff’s “unoriginal genius” in the neo-avant-garde as the reference point. (...)
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The paper is a reconstruction of an avant-garde project of a contemporary poet, Marcin Mokry, who can be recognized as a continuator of Tadeusz Peiper’s “prospect” in his program statements and the poetic book żywe linie nowe usta. (...)