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The vast and varied literary output of Stefania Zahorska (1889-1961) including, among others, articles on art history and theory, philosophy, psychology, history of culture, out of which reflections on film theory and criticism have the most prominent position. (...)
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The text examines the complex relations between the past, history, and historical myth, in an interdisciplinary perspective, combining narratology, cognitive studies and cultural anthropology. (...)
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The author discusses the circumstances and the mechanisms of how personal experiences and fascination with literature and film intertwine and, after many years, lead to the publication of a collection of short stories. (...)
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This article examines how camera angles are used to describe space or people in Marco Vichi’s crime novel Death in August. (...)
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In this article, I attempt to define a new phenomenon in world contemporary cinema. Thanks to new visual means of expression, with a focus on their haptic nature, film tries to recreate moods and sensitivities associated with the past. (...)
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Neuromancer (1984) by William Gibson is considered the first novel representing cyberpunk, a sub-genre of science fiction literature. A vision of a world from some near future, modernized, and at the same time degraded by technology, has been reflected in numerous films. (...)
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The paper is devoted to The King of Two Sicilies – a novel from 1970 by Andrzej Kuśniewicz. The novel is analyzed as an intertextual, historiographic metanovel, depicting the relations between a single subject, its memory, marked by distortions of transgenerational transmissions, and the historical events it is entangled in. (...)
![“The Cinematic Novel” and the Materiality of the Text: Jan Brzękowski’s Bankructwo profesora Muellera [Professor Mueller’s Bankruptcy]](http://fp.amu.edu.pl/wp-content/uploads/2021/07/AWojtowicz_TheCinematicNovel_ForumOfPoetics_23_2021-01-2-122x173.jpg)
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The article analyzes Jan Brzękowski’s cinematic novel Bankructwo profesora Muellera [Professor Mueller’s Bankruptcy] from the perspective of avant-garde experiments with novelistic conventions. (...)
We publish Polish translation of the Pavle Levi’s „Pisani filmovi” from the monography „Kino drugim sredstvima”, Belgrad 2013, pp. 71-89. Many thanks for permission to print the translation to the institutions: Muzej Savremene Umetnosti and Filmski Centar Srbije. (...)
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The article analyzes post-structural theoretical perspectives in analogies to the construction of films. According to Gilles Deleuze, supported by an interpretation of the works by Lewis Carroll, a functional lack is a key element of every system, as it activates and dynamizes that system, motivating the recipients to undertake cognitive activity. (...)