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This article attempts to functionally reconstruct the views expressed by Marshall McLuhan in his works, both from an epistemological and the methodological perspective. (...)
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The paper is about intermediality, focusing especially on relations between music and literature, connected by music in lyrical circumstances (Iwona Puchalska) in poetry. (...)
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The article discusses Till Lindemann’s multimedia and transmedia art. Functioning within and across ideological and subjective discourses, the songs of the German singer and songwriter are narratives that are often developed creatively across various media platforms, including cover art, music videos, or even short films. (...)
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The paper is devoted to the works of Pablopavo, a song artist for whom mise en abyme is an important means of expression. Although the term has been recognized in literature studies for decades, it has rarely been considered an important element of song lyrics. (...)
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This article attempts to interpret the performative aspects of Nick Cave’s singing and song lyrics written in collaboration with the guitarist Rowland Stuart Howard (1959–2009), Mick Harvey, Vincent Eugene Craddock (also known as Gene Vincent) and William Douchette (also known as Bill Davis). (...)
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The paper analyzes the functioning of selected English phonetic features and inspirations related to them in Polish punk rock, and interprets the results in a broader stylistic and sociolinguistic context. (...)
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The author focuses on Polish big-beat music from the 1960s and early 1970s. He analyzes the lyrics of selected songs from that period, pointing to their self-referential nature and explaining how big beat performers described their fans, themselves, and teenage music in their songs. (...)