A b s t r a k t
The article discusses Till Lindemann’s multimedia and transmedia art. Functioning within and across ideological and subjective discourses, the songs of the German singer and songwriter are narratives that are often developed creatively across various media platforms, including cover art, music videos, or even short films. The releases of new albums and songs are often accompanied by creative promotional campaigns. Songs are therefore analyzed in the article as transmedial narratives (M.-L. Ryan) subject to the cultural logic of media convergence (H. Jenkins) and circulating across various musical scenes (K. Kahn-Harris).