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The development of digital role-playing games brings with it not only qualitative transformations, but also a change in the choice of topics.
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Referring to the theories of Hans Ulrich Gumbrecht, Bruno Latour and Nurit Bird-David, the author attempts to prove that Piotr Szewc’s poetry is accompanied by a concept that questions the logic of the modern world based on technical progress and an isolated, egocentric subject.
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The article defines the importance of late nineteenth-century research and psychological reflections for the construction of descriptions in Boleslaw Prus’ The Doll.