“I like this mishmash.” Enumeration in Julian Kornhauser’s works
Magdalena Piotrowska-Grot
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In this article, I analyze how enumeration functions in Kornhauser’s poetry, looking at the various stages of the poet’s life. (...)
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In this article, I analyze how enumeration functions in Kornhauser’s poetry, looking at the various stages of the poet’s life. (...)
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In this interview, Kacper Bartczak, professor at the University of Łódź, Americanist, poet, and translator, talks about creative self-awareness in the broader context of versification studies. (...)
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This paper refers to a street art installation by Robert Gilarski, now in the Planty Park in Mikołów. The installation “schody Wojaczka”, which visualizes Rafał Wojaczek’s poem Sezon, represents the work of the poet written on the steps of a stairway. (...)
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The article is a proposal for opening verse studies to the problem of presence, on the basis of Hans Urlich Gumrecht’s project of a nonhermeneutic humanities. (...)
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The paper discusses the issue of waste and plastic, especially plastic bags, in the works by Olga Tokarczuk. The author considers what waste is in today’s civilization. (...)
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This article examines the ecological imagination of the forgotten poet form the 1956 generation, Tadeusz Śliwiak, and his poem Oratorium [Oratorio] published in the volume Widnokres [Horizon] (1971), in the section entitled Ziemia [Earth]. (...)
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The article analyzes Howard Phillips Lovecraft’s short story The Music of Erich Zann, with a view to presenting the conflict between modernity and nature in Lovecraft’s works. (...)
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In the article, I focus on the comparative approach to the images of nature in literature at the turn of the 19th and 20th centuries. I analyse H.D. (...)
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Miloš Urban, a Czech writer, is mostly associated with postmodernist playing with the convention of the metaphysical thriller. In 2001 he published Hastrman, a novel representing so-called green literature, for which he received the prestigious Magnesia Litera award. (...)
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The paper discusses a 1937 film directed by Michał Waszyński, also considering the novel written by Tadeusz Dołęga-Mostowicza which became the source of the screenplay, and the second adaptation of this novel directed by Jerzy Hoffman in 1981. (...)