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The article discusses the concept of experimental and illness-related life-writing records on the basis of Franciszka Themerson’s correspondence, and her correspondence-related drawings and works of art. (...)
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The aim of this article is to interpret three works by Andrzej Falkiewicz (Fragmenty o polskiej literaturze, Takim ściegiem, Ta chwila), which were not analyzed before. (...)
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The article analyzes life writing strategies of the German composer, musician and performer Blixa Bargeld, who has been documenting his life on tour since the 1990s. (...)
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In the article, I reflect on the spaces of inspiration, the “praił” [primordial clay] of Zygmunt Haupt’s works. I examine a unique “pronominal” spatial orientation found in his texts, his use of the prepositional phrase “u nas” [in our region], and the juxtapositions of “tam” [there] and “tu” [here], trying to establish what spaces are “hidden” behind these pronouns. (...)
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The article is a critical reconstruction of the early period of Zygmunt Haupt’s artistic life against the background of the intellectual and artistic life of Lviv in the 1930s. Lviv’s political, social, and cultural situation in the 1930s was very complicated. (...)
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The article focuses on Zygmunt Haupt’s shows for the Voice of America in the period 1951-1958. Broadcast transcripts are part of the writer’s archive, which is hosted by the Special Collections of C.H. (...)
![„[…] We have lost our hearts to you”. Some initial remarks on the correspondence between Zygmunt Haupt and Maria and Józef Czapski](http://fp.amu.edu.pl/wp-content/uploads/2023/11/PPanas_WeHaveLostOurHeartsToYou_ForumOfPoetics_32_2023-01-122x173.jpg)
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The paper discusses the results of a primary analysis of the correspondence between Zygmunt Haupt and Maria and Józef Czapski. The letters are dated 1950-1975, offering an interesting picture of a friendship spanning over decades. (...)
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The article is devoted to the reconstruction of the missing fragments of Zygmunt Haupt’s short story Zołota hramota. Expert knowledge of Haupt’s entire oeuvre and style, characterized by recurring motifs and corresponding expressions, was the basis for the reconstruction. (...)
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This article was inspired by the importance which Zygmunt Haupt attached to the “willing suspension of disbelief” on behalf of the reader. (...)
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The article is devoted to the annihilation of the ethnically, religiously, and linguistically diverse population of Galicia and Podolia during WW2 and its metaphorical representation in Zygmunt Haupt’s Galician short stories collected in Baskijski diabeł [The Basque devil]. (...)