Micropoetics and Video Games, or a Minimalistic Encomium to Short-sightedness
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Wisława Szymborska’s poem “Wszystko” (Everything) is an example of a work exceptionally filled with content.[1] On a first reading, the text appears to many readers to be a simple reflection on semantics, the meaning of words, the boundaries of language – and, by implication, the boundaries of knowledge. (...)