![“Earth’s Powder/ in the Basilica of the Cosmos:” Ecocatastrophe and its scale in Marcin Ostrychacz’s Cielenie lodowca [Iceberg calving]](http://fp.amu.edu.pl/wp-content/uploads/2023/05/DBorucki_EarthsPowderInTheBasilicaOfTheCosmos_ForumOfPoetics_30_2022-01-122x173.jpg)
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This article is devoted to the analysis of Marcin Ostrychacz’s poems collected in the volume Cielenie lodowca [Iceberg calving]. The article examines the poems using the concepts of the environmental catastrophe and the almost unimaginable scale on which it is taking place. (...)
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The article is an expression of appreciation for a way of reading that notices the smallest elements in a text, and the richness of the world it portrays. (...)
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The paper discusses the writing and philosophy of Jolanta Brach-Czaina, connecting it to micrology and maieutics. This poetological reflection considering the function of detail and work of similarities and differences in Brach-Czaina’s most significant works (Sofa, Szczeliny istnienia, Błony umysłu) identifies two tendencies of her philosophy: searching for a textual “representation of meaning” and a sensual description of “particles of being”. (...)
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This theoretical article discusses how the detail may function in the text and what reading strategies it calls for. The article aims to present a model of a counter-text, which exists, as if, alternatively to the text proper – it emerges when the reader examines the textual details and the contexts they open. (...)
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The cultural archive is a terminological detail in the dictionary of geopoetics. This is how Elżbieta Rybicka described this indispensable part a place’s texture (which is also created by experience and imagination). (...)