A b s t r a k t
This paper outlines the history and modern usages of the concept of “tenderness” in Polish literary criticism. It introduces the genealogy and origins in the esthetics of sentimentalism, along with its romantic modifications and its place in Polish literature and modern criticism. (...)
A b s t r a k t
Artykuł omawia historię i współczesność użyć pojęcia „czułość” w polskiej krytyce literackiej. (...)
A b s t r a k t
The paper reviews the meanings attached to the notion of “materiality” by literary criticism since 1990s. These meanings depend on several essential philosophical tendencies: poststructuralism, critical social theories, and posthumanism, which has a significant influence on critical-literary conceptualizations of “materiality”. (...)
A b s t r a k t
Artykuł jest przeglądem znaczeń, jakie pojęciu „materialności” nadawała (od lat 90.) i nadaje krytyka literacka. (...)
A b s t r a k t
The paper identifies (selected) reasons and strategies of removing the notion of class from Polish critical-literary discourse after 1989, especially a certain tradition of non-Marxist leftist criticism defined by Maria Janion, Kinga Dunin and Igor Stokfiszewski. (...)
A b s t r a k t
Celem artykułu jest wskazanie (wybranych) przyczyn i strategii usuwania pojęcia klasy z polskiego dyskursu krytycznoliterackiego po roku 1989. (...)
A b s t r a k t
The author analyses the concept of allegory, a classical poetic figure, as a kind of a “travelling concept,” a notion that informs contemporary literary criticism. (...)
A b s t r a k t
Autor analizuje pojęcie alegorii, klasycznej figury poetyckiej, jako swoistego „pojęcia wędrującego”, przydatnego i modnego w dzisiejszej krytyce literackiej. (...)
A b s t r a k t
This article discusses selected reading strategies of Anna Świrszczyńska’s poetry, and Czarne Słowa [Black words] (1967) in particular, a collection which, in my reading, presents the intersections between gender, race and class. (...)
A b s t r a k t
The paper analyzes various ways of using historical-literary notions employed ad hoc by literary criticism in subsequent discourses over the second half of the 20th century. (...)