summer 2019

Poets, Affects and Common Places: In Memory of My Feelings Frank O’Hara and Cover Andrzej Sosnowski from the Perspective of Mise en Abyme

Agnieszka Waligóra

ORCID: 0000-0002-4316-9207

DOI: https://doi.org/10.14746/fp.2019.17.20698

Andrzej Sosnowski is one of the most important and influential modern Polish poets. His work has inspired numerous polemics in the field of literary criticism, focusing first on such topics as postmodernism, the death of an author, or exhausting lyric poetry, and later noticing such issues as subjectivity, postsecularism, politicalness and engagement.

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From a Look in the Mirror (Anna Świrszczyńska – Grzegorz Uzdański – an Insta Lie

Marcin Telicki

ORCID: 0000-0002-4578-9661

DOI: https://doi.org/10.14746/fp.2019.17.20693

a b s t r a c t

In 1988, Anne Dumas conducted an interesting social experiment. Dumas showed two groups of graduate students, one from China and the other one from the United States, a photograph of a man dressed in a business suit, eating breakfast next to a window with a view of a modern city.

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Homer’s Allusive Art

Bruno Currie

ORCID: 0000-0003-2509-0965

DOI: https://doi.org/10.14746/fp.2019.17.20692

„Are You Affected by Time?”. The Photo-graphemicality of a Text on the Example of Tomasz Różycki’s Las tropikalny

Barbara Englender

ORCID: 0000-0002-4107-0801

DOI: https://doi.org/10.14746/fp.2019.17.20654

a b s t r a c t

The book of poems Kolonie by Tomasz Różycki contains the following poem:

Kiedy dla mnie zatańczysz? Skończyło się lato,

wielkie desanty dmuchawców, zielona fabryka,

wchodząca nam do łóżka, brudząca nam życiem

pościel, ubrania, palce.

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Avant-texts and Intertextual Relations (In the Context of Genetic Criticism)

Adam Dziadek

ORCID: 0000-0003-4584-5704

DOI: https://doi.org/10.14746/fp.2019.17.20652

a b s t r a c t

A few years ago, while I was working at the Beinecke Library on materials which were to become a part of Aleksander Wat’s archive, I came across galleys of the book of poems Ciemne świecidło, prepared by the poet.

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The Materiality of Intertextuality: the Figure of the Shadow in Alison Bechdel’s Fun Home

Izabela Sobczak

ORCID: 0000-0001-7167-5767

DOI: https://doi.org/10.14746/fp.2019.17.20653

a b s t r a c t

I

Shortly after the publication of Fun Home: A Family Tragicomic in 2006, Alison Bechdel became one of the most renowned comic book authors, although her work, which is not so much a personal, but above all an artistic coming-out, is also a bona fide literary masterpiece.

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“What can you do? Follow new trends and fads (…)
Perhaps you will be the one who meets Aliens first”

Jacek Dukaj, Black oceans²

How to read After writing?

(...)

summer 2019

Poets, Affects and Common Places: In Memory of My Feelings Frank O’Hara and Cover Andrzej Sosnowski from the Perspective of Mise en Abyme

Agnieszka Waligóra

ORCID: 0000-0002-4316-9207

a b s t r a c t

From a Look in the Mirror (Anna Świrszczyńska – Grzegorz Uzdański – an Insta Lie

Marcin Telicki

ORCID: 0000-0002-4578-9661

a b s t r a c t

Homer’s Allusive Art

Bruno Currie

ORCID: 0000-0003-2509-0965

„Are You Affected by Time?”. The Photo-graphemicality of a Text on the Example of Tomasz Różycki’s Las tropikalny

Barbara Englender

ORCID: 0000-0002-4107-0801

a b s t r a c t

Avant-texts and Intertextual Relations (In the Context of Genetic Criticism)

Adam Dziadek

ORCID: 0000-0003-4584-5704

a b s t r a c t

The Materiality of Intertextuality: the Figure of the Shadow in Alison Bechdel’s Fun Home

Izabela Sobczak

ORCID: 0000-0001-7167-5767

a b s t r a c t

Post-literate Poetics

Piotr Gorliński-Kucik

ORCID: 0000-0003-3733-4023

a b s t r a c t