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Poetics, genetics, work. (On the art of rhyming)

Poetics, genetics, work. (On the art of rhyming)

Mateusz Antoniuk

ORCID: 0000-0002-1608-2691
DOI: https://doi.org/10.14746/fp.2020.21.26054

A b s t r a k t

The article attempts to answer the question of what the potential benefits of a methodological cooperation between poetics and genetic criticism are. The answer is based on the definition formulated by D. Korwin-Piotrowska who observes that “concepts and terms in the field of poetics document the cognitive effort involved in studying and describing the work of the human mind.” I argue that we may understand (although, in a limited degree) how “the human mind” works when poetics, in cooperation with genetic criticism, studies not only the final version of the text, but also the text in-the-making (a record of a textual process, i.e. a draft). Combining poetics and genetic criticism, I analyze two poems by Czesław Miłosz, Rozmowy na Wielkanoc 1620 roku [Conversations at Easter 1620] and Na ścięcie damy dworu [On the beheading of a lady at court], demonstrating how the poet arrived at the final rhyme pattern. In the end, I make further theoretical comments in connection with, inter alia, the concept of the “extended mind” and the contemporary subjective and functional concepts of culture.

Posted in Praktyki
Tagged Mateusz Antoniuk, summer 2020
Previous Post: Case Study
Next Post: Poetyka, genetyka, praca. (O sztuce rymotwórczej)

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