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This article was inspired by the importance which Zygmunt Haupt attached to the “willing suspension of disbelief” on behalf of the reader. (...)
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The article is devoted to the annihilation of the ethnically, religiously, and linguistically diverse population of Galicia and Podolia during WW2 and its metaphorical representation in Zygmunt Haupt’s Galician short stories collected in Baskijski diabeł [The Basque devil]. (...)
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This article analyzes the relations between space and the subject (i.e., the configuration composed of the character’s I, the protagonist’s, I and the narrator’s I) in two short stories by Zygmunt Haupt, namely “Gołębie z placu Teodora” [Pigeons from Theodor’s Square] and “O Stefci, o Chaimie Immerglücku i o scytyjskich bransoletkach” [About Stefcia, Chaim Immerglück and Scythian bracelets]. (...)
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Recapitulating major tendencies in Haupt studies, the paper revisits the question of memory models in works by Zygmunt Haupt, and proposes to extend the established, “epiphanic” reading of Haupt’s prose with a geopoetic perspective. (...)
![A watchmaker-dynamitard: From the Gałąź zachodnia [The Western Branch] archive](http://fp.amu.edu.pl/wp-content/uploads/2023/07/JZielinski_AWatchmakerDynamitard_ForumOfPoetics_31_2023-01-122x173.jpg)
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An unpublished essay about Haupt found in the critic’s archive: it is a chapter from a book titled Gałąź Zachodnia [The Western Branch] on Polish émigré literature, ready to print in 1990, but never published. (...)
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The paper analyzes two short stories: Deszcz by Zygmunt Haupt and Little landscape with snow by Robert Walser, which seem marginal in terms of their works. (...)
![The (im)moral landscape: Zygmunt Haupt’s short story Deszcz [The Rain]](http://fp.amu.edu.pl/wp-content/uploads/2023/07/ACzyzak_TheImmoralLandscape_ForumOfPoetics_31_2023-01-122x173.jpg)
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The article attempts to offer a new interpretation of Zygmunt Haupt’s short story “Deszcz” [The Rain]. The analysis focuses on the literary strategies employed by the Polish writer and the ethical dimension of the short story. (...)
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This article discusses the problem of description in the works of Zygmunt Haupt in the wider context of the contemporary “descriptive turn” in literary studies. (...)
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The paper discusses the claim that borders and frontiers are a source of experience, and at the same time a category which describes Haupt’s prose well. (...)