Gerard Ronge

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A b s t r a k t

This essay attempts to define “the new” as a poetological term. The new is discussed in relation to Stefan Morawski’s seminal study Perypetie problematyki nowości w dziejach myśli estetycznej [The history of the new in the history of aesthetic thought], the so-called quarrel of the Ancients and the Moderns, and selected approaches to the concept in relation to avant-garde art. (...)