Izabella Adamczewska-Baranowska
ORCID: 0000-0002-2775-6209
A b s t r a k t
The article examines (l)iterary dromoscopic performances inspired by American counterculture, which can be understood as a commentary on the condition of the “protein-based” writer in the age of digital machines. In what ways do the products of human–machine assemblages bring together two extreme conceptions of literature: the manic and the technical (mechanical)? Can the hallucinations of artificial intelligence be considered an equivalent of human inspiration?